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Rebecca Saunders – still (UK Première)

Tonight saw the UK première of the latest work by Rebecca Saunders, her violin concerto still. Saunders’ music has been a growing musical passion of mine for a while; as such, i’ve already begun a...

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Mix Tape #24 : Noir

It’s time for a new Mix Tape, & once again it reflects my current predilections & listening habits. Film noir, & particularly its musical analogues, are much on my mind at present, so the...

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5:4 at HCMF 2012 – Ensemble Resonanz

The first day of my weekend at HCMF ended back where it had begun, in St Paul’s Hall, for a late-night concert by Ensemble Resonanz, conducted by Peter Rundel. The concert was broadcast live on Radio 3...

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5:4 at HCMF 2012 – Arditti Quartet

Two months may have passed, but memories of the all-too-brief weekend i spent at HCMF 2012 are alive & well; so let’s pick up where i left off. The second day of my HCMF experience began once again...

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5:4 at HCMF 2013 – Séverine Ballon

Today’s first concert was given by French cellist Séverine Ballon. Her recital comprised UK premières by Hèctor Parra & Mauro Lanza & a world première by Rebecca Saunders, together with a...

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Rebecca Saunders – Void (World Première)

To bring my Lent Series to an end, i’ve chosen a work rather fitting to the general atmosphere of Easter Eve, Rebecca Saunders‘ Void, for two percussionists and chamber orchestra. Saunders was recently...

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HCMF 2016: Walking with Partch, Klangforum Wien + Arditti Quartet

From queries to plings: following an opening night that raised more questions (and objections) than its respective composers perhaps intended, Saturday night at HCMF moved emphatically in the direction...

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HCMF 2016: Trombone Unit Hannover, Klangforum Wien

The palpable buzz surrounding events at this year’s HCMF featuring music by composer-in-residence Georg Friedrich Haas (of an order considerably greater than that of the previous few years) continued...

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Rebecca Saunders – murmurs (UK Première)

Since the trace is not a presence but the simulacrum of a presence that dislocates itself, displaces itself, refers itself, it properly has no site; erasure belongs to its structure. And not only the...

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Rebecca Saunders on record (Part 1)

Alongside the individual pieces i’m focusing on in this Lent Series, i’m also going to be providing an overview of as much as possible of Rebecca Saunders’ music that has been released commercially....

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Rebecca Saunders – Stirrings (UK Première)

i’ve already used the word ‘obsessive’ in this Lent Series, and i’m sure i’ll be using it again in due course, but it’s important to note that the strain of obsession that repeatedly rears its head in...

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Rebecca Saunders on record (Part 2)

In continuing my survey of recordings of Rebecca Saunders‘ music, i’m turning my attention now to works that are earlier than everything i’ve explored so far. Stirrings Still, released in 2008 on the...

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Mix Tape #43 : International Women’s Day

As today is International Women’s Day, for my March mix tape i’ve allowed myself to indulge in a celebration of fabulous music by women composers and musicians. Compared to most of my mix tapes, this...

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Rebecca Saunders – still (World Première)

The next piece i’m looking at in my Lent Series celebrating the music of Rebecca Saunders is something of an exception on 5:4, as it’s a work i’ve written about before. Saunders’ violin concerto still...

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Rebecca Saunders on record (Part 3)

Continuing my survey of recordings of Rebecca Saunders‘ music, i’m looking today at a cluster of pieces featured on compilations as well as a couple of standalone releases. The last work i wrote about,...

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Rebecca Saunders – Alba (UK Première)

As i’ve noted in previous articles in this Lent series, there are very strong and clear themes and interests – obsessions, even – running through Rebecca Saunders‘ music, with concomitant aspects of...

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Rebecca Saunders on record (Part 4)

Before i conclude my survey of the available recordings of Rebecca Saunders‘ music, i want to flag up some omissions. There are three works that i’m not able to discuss at this point as i haven’t yet...

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Rebecca Saunders – Skin (UK Première)

…this is the room’s essence not being now look closer mere dust dust is the skin of a room history is a skin the older it gets the more impressions are left on its surface look again… These words,...

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HCMF 2018: Ensemble Musikfabrik, Christian Marclay: To be continued

On the opening night of last year’s Huddersfield Contemporary Music Festival, i remember pondering about the shift in tactic regarding the festival’s opening gambit. In 2017, there was a move away from...

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HCMF 2018: Ensemble Musikfabrik, Christian Marclay: Investigations

It’s not unusual, considering HCMF’s openness to stepping outside the bounds of convention, for a new work at the festival to have to overcome how extraordinary it is. That was certainly the case in...

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